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“Robbery” literally features Juice yelling about how his love for a woman is a “gift and a curse,” and he “cannot reverse it.” The very first track on the record, “Empty,” displays lyrical heartbreak (“ I feel so god damn empty…I problem solve with styrofoam“). In fact, I think the 20 year-old takes the emo aesthetic to outrageous heights. Hobbs also makes the argument that Juice’s “songwriting becomes less weighted on sad-sack anthems.” I disagree completely.
#Juice wrld hear me calling genre series#
Artists like Trippie Redd and Lil Peep have done this before in their own way: think A Love Letter To You series from Trippie. The album is merely establishing a post-punk platform for Juice to explore his talents. Heck, XXXtentacion was using it on his albums before he passed -like on the incredibly raw, 17.ĭeath Race For Love doesn’t re-invent the wheel. Incorporating the guitar for emotional enhancement - as Juice does on “Who Shot Cupid?” and “Ring Ring” - isn’t a new phenomenon in rap, either. Even when Juice stays on brand with his lovesick aesthetic, the lyrics usually vary from cringe-inducing (like when he says on “Maze,” “ I took my demons to the bank of life and made the greatest deposit“) to amusing, but still over-the-top (“ Your scars are really gorgeous/A’int that a weird way to give compliments,” which he spits on “Flaws and Sins”). “Hear Me Calling” is the same type of dancehall pop that Swae Lee and Drake created - Lee on Metro Boomin’s “Borrowed Love,” and Drake on “One Dance”. The author makes several proclamations about the 20 year-old rapper throughout the review, some of which I agree with (“Juice WRLD makes songs that stick, his vocal dissonance capturing what it feels like to be young and in pain”).Īt other points, Hobbs’ arguments suffer from hyperbole.įor example, he holds the belief that Juice’s 22-song album takes the emo-rap sub-genre to “inventive new heights.” Sure, Death Race For Love is the Chicago native’s most versatile record to date however, it’s hard to pinpoint exactly what makes this experience so inventive. Thomas Hobbs of NME published a review of Juice WRLD’s second studio album, Death Race For Love, awarding the project four stars out of five.